But all joy wants eternity— Wants deep, wants deep eternity.
Name[ edit ] S. Samyro, a partial anagram of Samy Rosenstock, was used by Tzara from his debut and throughout the early s. Tzara, in although there is zara essay writer possibility that he was signing his texts long after committing them to paper.
His parents were Jewish Romanians who reportedly spoke Yiddish as their first language;  his father Filip and grandfather Ilie were entrepreneurs in the forestry business.
Reputedly, Janco and Vinea provided the funds. Costinwho was later his self-declared promoter and admirer. MaxyIon Vineaand Jacques G. Costin Although the magazine ceased print in Decemberit played an important part in shaping Romanian literature of the period.
Literary historian Paul Cernat sees Simbolul as a main stage in Romania's modernismand credits it with having brought about the first changes from Symbolism to the radical avant-garde.
In autumnas founder and editor of the short-lived journal ChemareaVinea published two poems by his friend, the first printed works to bear the signature Tristan Tzara. Janco, together with his brother Juleshad settled there a few months before, and was later joined by his other brother Georges.
In FebruaryBall had rented the Cabaret Voltaire from its owner, Jan Ephraim, and intended to use the venue for performance art and exhibits.
The story of its establishment was the subject of a disagreement between Tzara and his fellow writers. Cernat believes that the first Dadaist performance took place as early as February, when the nineteen-year-old Tzara, wearing a monocleentered the Cabaret Voltaire stage singing sentimental melodies and handing paper wads to his "scandalized spectators", leaving the stage to allow room for masked actors on stiltsand returning in clown attire.
There was no alternative institution or site that could disentangle 'pure' dada from its mere accompaniment [ The next objective of the artists who are assembled here is to publish a revue internationale [French for "international magazine"].
Dada Dada Dada Dada. It is true that in the process of digestion all sorts of bones and feathers had been regurgitated. This circle, based in New York City, sought affiliation with Tzara's only inwhen they jokingly asked him to grant them permission to use "Dada" as their own name to which Tzara replied: In OctoberTzara, Arp and Otto Flake began publishing Der Zeltwega journal aimed at further popularizing Dada in a post-war world were the borders were again accessible.
Although he was sympathetic to its goals, treasured Hugo Ball and Hennings and promised to adapt his own writings to its requirements, Vinea cautioned Tzara and the Jancos in favor of lucidity.
Toklas and the artist couple Robert and Sonia Delaunay with whom he worked in tandem for "poem-dresses" and other simultaneist literary pieces. Traditionalist historian Nicolae IorgaSymbolist promoter Ovid Densusianuthe more reserved modernists Camil Petrescu and Benjamin Fondane all refused to accept it as a valid artistic manifestation.
Janco later mentioned "some dramatic quarrels" between his colleague and him. The French writer used the occasion to strike out Tzara's name from among the Dadaists, citing in his support Dada's Huelsenbeck, Serner, and Christian Schad. Richter suggests that "Surrealism devoured and digested Dada.
Inhe published and staged the play Handkerchief of Cloudswhich was soon included in the repertoire of Serge Diaghilev 's Ballets Russes. Marxist thinker Henri Lefebvre reviewed them enthusiastically; he later became one of the author's friends.
Toklasin which he accused his former friend of being a megalomaniac. Costina Contimporanul affiliate who did not share all of Vinea's views on literature, who offered to organize his visit to Romania and asked him to translate his work into French.
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